L’oeuvre de Yasmina khadra : du récit indécidable à la quête ontologique

Abstract

Behind the falsely linear narrative of L’écrivain and behind the fragmented and broken one of L’imposture des mots, behind these two “impostor narratives” lies the ontological quest of Khadra. After the autobiographical denial that only gave life to Khadra / writer, through the figure of the mask represented by the use of the “pseudonym,” and after the return of the repressed, when Moulessehoul returns to violence, Khadra manages to create a third space through the figure of displacement, the “ paratopia” by which he creates a discursive identity.